“All things therefore are charged with love, are charged with God and if we knew how to touch them give off sparks and take fire, yield drops and flow, ring and tell of him.”

“All things therefore are charged with love, are charged with God and if we knew how to touch them give off sparks and take fire, yield drops and flow, ring and tell of him.”

“No worst, there is none. Pitched past pitch of grief,More pangs will, schooled at forepangs, wilder wring.Comforter, where, where is your comforting?Mary, mother of us, where is your relief?My cries heave, herds-long; huddle in a main, a chief-woe, world-sorrow; on an age-old anvil wince and sing —Then lull, then leave off. Fury had shrieked 'No ling-ering! Let me be fell: force I must be brief'.O the mind, mind has mountains; cliffs of fallFrightful, sheer, no-man-fathomed. Hold them cheapMay who ne'er hung there. Nor does long our smallDurance deal with that steep or deep. Here! creep,Wretch, under a comfort serves in a whirlwind: allLife death does end and each day dies with sleep.”

“...Where we, even where we mean To mend her we end her, When we hew or delve:After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc únselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene.”

“...O if we but knew what to do When we delve or hew— Hack and rack the growing green! Since country is so tender To touch, her being só slender,”

“The effect of studying masterpieces is to make me admire and do otherwise. So it must be on every original artist to some degree, on me to a marked degree.(from notes on 'Heraclitean Fire')”

“NOT, I’ll not, carrion comfort, Despair, not feast on thee;Not untwist—slack they may be—these last strands of manIn me ór, most weary, cry I can no more. I can;Can something, hope, wish day come, not choose not to be.”

“What would the world be, once bereft Of wet and of wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet.”

“The Incarnation of Christ raised the energy of everything. And when Hopkins placed his conviction of this into poetry, he tended to mention electricity, lightening, fire, flash, flame. He wrote in his late, great poem, "That Nature is a Heraclitean Fire and the comfort of the Resurrection": 'In a flash, at a trumpet crash, / I am all at once what Christ is, / since he was what I am and / This jack, joke, poor potsherd, / patch matchwood, immortal diamond, / Is immortal diamond.”

“One could say that Hopkins practiced transubstantiation in every poem. By mysterious talent, he changed plain element into reality sublime. He encountered a jumble of weather, birds, trees, branches, waters, blooms, dewdrops, candle flames, prayers, then instressed them and, delighted, wrote in his journal, 'Chance left free toact falls into an order.”

“Religion, you know, enters very deep; in reality it is the deepest impression I have in speaking to people, that they are or that they are not of my religion.”

“The poetical language of an age should be the current language heightened.”