“And I Said To My Soul, Be LoudMadden me back to an afternoonI carry in menot like a woundbut like a will against a woundGive me again enough manto be the childchoosing my own annihilationsTo make of this severed limba wand to conjurea weapon to shatterdark matter of the dirt daubers' nestsgalaxies of glassWhacking glintsbash-dancing on the cellar's fireI am the sound the sun would makeif the sun could make a soundand the gasp of rotstabbed from the compost's lumpen living deathis meO my life my war in a jarI shake you and shake youand may the best ant winFor I am come a whirlwind of wasted thingsand I will ride this tantrum back to Goduntil my fixed self, my fluorescent selfmy grief–nibbling, unbewildered, wall–to–wall selfwithers in me like a salted slug”

“It is the absoluteness of meaninglessness that Christianity, as I understand it, inhabits and inflects, the shock and stark violence of the cross that discloses the living Christ. Revelation, like creation, arises not merely out of nothingness but by means of it.”

“Mystical experience needs some form of dogma in order not to dissipate into moments of spiritual intensity that are merely personal, and dogma needs regular infusions of unknowingness to keep from calcifying into the predictable, pontificating, and anti-intellectual services so common in mainstream American churches. So what does all this mean practically? It means that congregations must be conscious of the persistent and ineradicable loneliness that makes a person seek communion, with other people and with God, in the first place. It means that conservative churches that are infused with the bouncy brand of American optimism one finds in sales pitches are selling shit. It means that liberal churches that go months without mentioning the name of Jesus, much less the dying Christ, have no more spiritual purpose or significance than a local union hall. It means that we -- those of us who call ourselves Christians -- need a revolution in the way we worship. This could mean many different things -- poetry as liturgy, focused and extended silences, learning from other religious traditions and rituals (this seems crucial), incorporating apophatic language. But one thing it means for sure: we must be conscious of language as language, must call into question every word we use until we refine or remake a language that is fit for our particular religious doubts and despairs -- and of course (and most of all!) our joys.”

“What we call doubt is often simply dullness of mind and spirit, not the absence of faith at all, but faith latent with the lives we are not quite living, God dormant in the world to which we are not quite giving our best selves.”

“What you must realize, what you must even come to praise, is the fact that there is no right way that is going to become apparent to you once and for all. The most blinding illumination that strikes and perhaps radically changes your life will be so attenuated and obscured by doubts and dailiness that you may one day come to suspect the truth of that moment at all. The calling that seemed so clear will be lost in echoes of questionings and indecision; the church that seemed to save you will fester with egos, complacencies, banalities; the deepest love of your life will work itself like a thorn in your heart until all you can think of is plucking it out. Wisdom is accepting the truth of this. Courage is persisting with life in spite of it. And faith is finding yourself, in the deepest part of your soul, in the very heart of who you are, moved to praise it.”

“When I think of the years when I had no faith, what I am struck by, first of all, is how little this lack disrupted my conscious life. I lived not without God, nor wish his absence, but in a mild abeyance of belief, drifting through the days on a tide of tiny vanities — a publication, a flirtation, a strong case made for some weak nihilism — nights all adagios and alcohol as my mind tore luxuriously into itself. I can see now how deeply God’s absence affected my unconscious life, how under me always there was this long fall that pride and fear and self-live at once protected me from and subjected me to. Was the fall into belief or into unbelief? Both. For if grace woke me to God’s presence in the world and in my heart, it also woke me to his absence. I never truly felt the pain of unbelief until I began to believe.”

“The temptation is to make an idol of our own experience, to assume our pain is more singular than it is. Experience means nothing if it does not mean beyond itself: we mean nothing unless and until our hard-won meanings are internalized and catalyzed within the lives of others. There is something I am meant to see, something for which my own situation and suffering are the lens, but the cost of such seeing—I am just beginning to realize—may very well be any final clarity or perspective on my own life, my own faith. That would not be a bad fate, to burn up like the booster engine that falls away from the throttling rocket, lighting a little dark as I go.”

“The sick person becomes very adept at distinguishing between compassion and pity. Compassion is someone else’s suffering flaring in your own nerves. Pity is a projection of, a lament for, the self. All those people weeping in the mirror of your misery? Their tears are real, but they are not for you.”

“And I Said To My Soul, Be LoudMadden me back to an afternoonI carry in menot like a woundbut like a will against a woundGive me again enough manto be the childchoosing my own annihilationsTo make of this severed limba wand to conjurea weapon to shatterdark matter of the dirt daubers' nestsgalaxies of glassWhacking glintsbash-dancing on the cellar's fireI am the sound the sun would makeif the sun could make a soundand the gasp of rotstabbed from the compost's lumpen living deathis meO my life my war in a jarI shake you and shake youand may the best ant winFor I am come a whirlwind of wasted thingsand I will ride this tantrum back to Goduntil my fixed self, my fluorescent selfmy grief–nibbling, unbewildered, wall–to–wall selfwithers in me like a salted slug”

“I've never been able to write poetry without having vast tracts of dead time. Poetry requires a certain kind of disciplined indolence that the world, including many prose writers, doesn't recognize as discipline. It is, though. It's the discipline to endure hours that you refuse to fill with anything but the possibility of poetry, though you may in fact not be able to write a word of it just then, and though it may be playing practical havoc with your life. It's the discipline of preparedness.”

“Christ is not alive now because he rose from the dead two thousand years ago. He rose from the dead two thousand years ago because he is alive right now.”