“AttractionThe whites of his eyespull me like moons.He smiles. I believehis face. Alreadymy body slips down in the chair:I recline on my side,offering peeled grapes.I can taste his tonguein my mouthwhenever he speaks.I suspect he lies.But my body oils itself loose.When he gets up to fix a drinkmy legs like derrickshoist me off the seat.I am thirsty, it seams.Already I see the seductionfar off in the distancelike a large treedwarfed by a risein the road.I put away objectionsas quietly as quilts.Already I explain to myselfhow marriages are broken--accidentally, like arms or legs.”
Enid Shomer“AttractionThe whites of his eyespull me like moons.He smiles. I believehis face. Alreadymy body slips down in the chair:I recline on my side,offering peeled grapes.I can taste his tonguein my mouthwhenever he speaks.I suspect he lies.But my body oils itself loose.When he gets up to fix a drinkmy legs like derrickshoist me off the seat.I am thirsty, it seams.Already I see the seductionfar off in the distancelike a large treedwarfed by a risein the road.I put away objectionsas quietly as quilts.Already I explain to myselfhow marriages are broken--accidentally, like arms or legs.”
Enid Shomer“Ambition was a dull pain, like a continually broken heart.”
Enid Shomer, The Twelve Rooms of the Nile“How could you determine a man's intention if you didn't speak his language or share his beliefs? She'd happily embarked on a study of ancient Egyptian religion but had no curiosity about Islam, which seemed an amalgam of oddities and borrowings. She felt with conviction what she'd written home more than once--that Egypt would be an exquisite country if not for the Egyptians who lived there.”
Enid Shomer, The Twelve Rooms of the Nile