Hermester Barrington Quotes

“Any youth which is not misspent is, by definition, misspent.”

“If only I had used my powers for good instead of for trivia!”

“What would Munchausen do?”

“The hobgoblin of a little mind may be the genius of a great one.”

“Rain is Nature's way of telling us to go slowly because the roads will soon be wet.”

“Many of us seem to live our lives looking for happiness. That is not always a bad thing, but it can be if we continually believe that happiness is someplace else and not in the present.”

“Valuing names as they do, Realists are sparing with them. They are likely to be known only as Joe or Bill or Plato. And they don't smile much. Nominalists have more fun. They are known as Aristotle or Decimus-et-Ultimus Barziza, or as Edward John Barrington Douglas-Scott-Montague, or perhaps by one name in childhood and several others in the course of life. A firm Realist misses out on one of the most satisfying of all human activities -- the assumption of secret identities. A man who has lived and never been someone else has never lived. It is true that occasionally there can be embarrassment in secret identities, but only a Realist will take the whole thing seriously enough to hit you. So have your fun, and avoid Realists.”

“One last characteristic of the memoir that is important to recognize is one which also applies to essays, and which Georg Lukacs described as "the process of judging." This may seem problematic to some, since...we connect it with 'judgmental,' often used nowadays as a derogatory word. But the kind of judgment necessary to the good personal essay, or to the memoir, is not that nasty tendency to oversimplify and dismiss other people out of hand but rather the willingness to form and express complex opinions, both positive and negative.If the charm of memoir is that we, the readers, see the author struggling to understand her past, then we must also see the author trying out opinions she may later shoot down, only to try out others as she takes a position about the meaning of her story. The memoirist need not necessarily know what she thinks about her subject but she must be trying to find out; she may never arrive at a definitive verdict, but she must be willing to share her intellectual and emotional quest for answers. Without this attempt to make a judgment, the voice lacks interest, the stories, becalmed in the doldrums of neutrality, become neither fiction nor memoir, and the reader loses respect for the writer who claims the privilege of being the hero in her own story without meeting her responsibility to pursue meaning. Self revelation without analysis or understanding becomes merely an embarrassment to both reader and writer.”

“A word of warning here. The events as you remember them will never be the same in your memory once you have turned them into a memoir. For years I have worried that if I turn all of my life into literature, I won't have any real life left - just stories about it. And it is a realistic concern: it does happen like that. I am no longer sure I remember how it felt to be twenty and living in Spain after my parents died; my book about it stands now between me and my memories. When I try to think about that time, what comes to mind most readily is what I wrote.”

“Bravery isn't when you go looking for trouble”