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“That's how you should be. Accept your burden and carry it, with joy.”
John Ajvide Lindqvist“That's how you should be. Accept your burden and carry it, with joy.”
John Ajvide Lindqvist“Land and sea.We may think of them as opposites; as complements. But there is a difference in how we think of them; the sea, and the land.If we are walking around in a forest, a meadow or a town, we see our surroundings as being made up of individual elements. There are many different kinds of trees in varying sizes, those buildings, these streets. The meadow, the flowers, the bushes. Our gaze lingers on details, and if we are standing in a forest in the autumn, we become tongue-tied if we try to describe the richness around us. All this exists on land. But the sea. The sea is something completely different. The sea is one.We may note the shifting moods of the sea. What the sea looks like when the wind is blowing, how the sea plays with the light, how it rises and falls. But still it is always the sea we are talking about. We have given different parts of the sea different names for navigation and identification, but if we are standing before the sea, there is only one whole. The Sea.If we are taken so far out in a small boat that no land is visible in any direction, we may catch sight of the sea. It is not a pleasant experience. The sea is a god, an unseeing, unhearing deity that does not even know we exist. We mean less than a grain of sand on an elephant's back, and if the sea wants us, it will take us. That's just the way it is. The sea knows no limits, makes no concessions. It has given us everything and it can take everything away from us.To other gods we send our prayer: Protect us from the sea.”
John Ajvide Lindqvist, Harbor“Who can really say how decisions are made, how emotions change, how ideas arise? We talk about inspiration; about a bolt of lightnng from a clear sky, but perhaps everything is just as simple and just as infinitely complex as the processes that make a particular leaf fall at a particularmoment. That point has been reached, that's all. It has to happen, and it does happen.”
John Ajvide Lindqvist, Harbor“The orchestra strikes up with ‘Stockholm in My Heart’, and everyone joins in. Hands sway in the air, mobile phone cameras are raised. A wonderful feeling of togetherness. It will be another fifteen minutes until, with meticulous premeditation, the whole thing is torn to shreds. Let us sing along for the time being. We have a long way to go before we return here. Only when the journey has softened us up, when we are ready to think the unthinkable, will we be permitted to come back.”
John Ajvide Lindqvist, Little Star“He felt like normal. Filled with anxiety, dread, sure. But even that wasn't unusual...”
John Ajvide Lindqvist, Let the Right One In“I am in good company, simply following those in front of me and knowing others are following behind. We are on our way up a narrow staircase. The bannister is a thick rope suggesting safety. The stairs go around and around inside a church tower; or perhaps it is a minaret? The whorls of the staircase grow narrower and narrower, but as there are so many people behind there is no longer any possibility of turning around or even stopping. The pressure from behind foeces me on. The staircase suddenly stops at a garbage chute in the wall. When i open the hatch and squeeze my way through the hole, i find myself on the outside of the tower. The rope has dissappeared. It is totally dark. I cling on to the slippery, icy wall of the tower while vainly trying to find a foothold in the emptiness.”
Sven Lindqvist, Exterminate All the Brutes: &, Desert Divers“The Norweigian philosopher Tonnesen said that to think about anything but death is evasion. Society, art, culture, the whole of civilisation is nothing but evasion, one great collective self delusion, the intention of which is to make us forget that all the time we are falling through the air, at every moment getting closer to death.”
Sven Lindqvist, Exterminate All the Brutes: &, Desert Divers“Eli snorted, her eyes narrowed.— Because I am like you.— What do you mean like me? I..Eli thrust her hand through the air as if she was holding a knife, said:— What are you looking at, idiot? Want to die, or something? — Stabbed the air with empty hand. — That what happens if you look at me.Oskar rubbed his lips together, dampening them.— What are you saying?— It's not me that's saying it. It's you. That was the first thing I heard you say. Down on the playground.Oskar remembered. The tree. The knife. How he had held up the blade of the knife like a mirror, seen Eli for the first time.”
John Ajvide Lindqvist, Let the Right One In“He couldn't have pulled back the lock, they couldn't simply have climbed over the sides of the stall in all of three seconds, because those weren't the rules of the game.Theirs was the intoxication of the hunter, his the terror of the prey. Once they had actually captured him the fun was over and the punishment more of a duty that had to be carried out. If he gave up too early there was a chance they would put more of their energy into the punishment instead of the hunt.”
John Ajvide Lindqvist, Let the Right One In