Back at the cottage we explored the topography of my body; twigs in my hair, calves striped red and my skirt smudged in meadowtones. The forest underlined me, accentuated me, illustrated me. I felt alive in that midnight village whose dark places left their signatures on my skin, whose bites still hummed around my wrists. I didn’t notice till then the thousand nettle stings rising like pearls; burning bracelets that my love kissed and rubbed with dock leaves; a folk remedy painting my pulse points green; honorary stalks.

Back at the cottage we explored the topography of my body; twigs in my hair, calves striped red and my skirt smudged in meadowtones. The forest underlined me, accentuated me, illustrated me. I felt alive in that midnight village whose dark places left their signatures on my skin, whose bites still hummed around my wrists. I didn’t notice till then the thousand nettle stings rising like pearls; burning bracelets that my love kissed and rubbed with dock leaves; a folk remedy painting my pulse points green; honorary stalks.

Jalina Mhyana
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It dawns on me that maybe I'm just terrifically lazy; that I might be appropriating other people’s invisible sicknesses and disorders and scribbling them on the clipboard at the end of my bed to fool the nurses; so I can indulge in rest cures all day, every day. That I’m even fooling myself.

Jalina Mhyana
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The Wishing BonesA thousand grandmothers ago Pyrrha and Deucalion repopulated the world with rocks, bones of mother Earth, a generation of my ancestors strained from the mud of a drowned planet.But I’m more interested in my earliest grandmothers, their gills and wetness,before they crawled from that blue expanseand learned to carry the sea within them,in their cells, between their cells, in their eyes.The buoyancy of ocean has never left us.It hides in skin’s complex reservoir where we're selectively permeable and our bodies exchange the smallest life.If we had no need to distinguish ourselves from others we’d be missing the skin that defines lovers and enemies and opens itself to both.

Jalina Mhyana, Spikeseed
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We played with the moon all night, painting faces on its blank cheek, shining its spotlight into sleeping people’s windows. But mostly we just ate the moon, stuck tongues to its surface and felt it dissolve, left chunks of its minty scalp on neighbors’ doorsteps.

Jalina Mhyana, Spikeseed
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Offerings gleam beneath consecrated trees,boulders, and caves where Kami nature spiritsminister to congregations of saki cans, lotus root, and the glow of tangerines; still-lives silent as prayer.

Jalina Mhyana, The Wishing Bones
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Everything was numbered: the lenses, the painterly sky, the milligrams of my panic pills. I had prescription eyes that allowed me to see better, and prescription panic pills that allowed me to play blind.

Jalina Mhyana, Dreaming in Night Vision: A Story in Vignettes
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Dante Alighieri wrote his first book in the prosimetrum genre – La Vita Nuova – in 14th century Florence. Since I’m compiling this collection – my first indie publication – in Florence, just blocks from Dante’s house, and since his book involves a lost love, and ‘A New Life,’ I thought it fitting to emulate this style in my own casual, intuitive fashion. My hope is that the juxtaposition of poems, journal entries, essays and prose will create a story; a memoir in anarchistic vignettes.

Jalina Mhyana, Dreaming in Night Vision: A Story in Vignettes
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Our divorce was an optical illusion, surely, because I am often still there, in my old home with my family. I can so easily fool myself, even without a scope, a lens, a patch of sky to measure my trauma, my blues, my perspective or my period of mourning. Suspension of disbelief can be a very real kind of haunting.

Jalina Mhyana, Dreaming in Night Vision: A Story in Vignettes
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All of the sudden, we were a grown-up married couple! Like little figures in a doll's house, we sat there dazed, in awe, wishing a chubby little arm would pass through a window and move us around, tell us what to do. We would have given anything for a magnificent child to show us how to be husband and wife.

Jalina Mhyana, Dreaming in Night Vision: A Story in Vignettes
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Every Sunday behind bibles, virgins,soldiers tight against me, longing,and my pelvis rubbing gods'to the big black woman voices.Soldiers tight against me, longing,all that rising, sitting, kneelingto the big black woman voices,spirits warming, tensing, folding, thenall that rising, sitting, kneelinglike some kind of dance, a mating,spirits warming, tensing, folding andgod went “Shhhhh” between my thighs –

Jalina Mhyana, Dreaming in Night Vision: A Story in Vignettes
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Transparent tubes divided Phil’s blood into shades of red, fading to straw colored plasma. I watched his fluid swirl past his shoulders and disappear into machines. He offered himself to blood banks all over the city, his plasma rushed to hospitals where it would circulate through other people’s bodies. The map of my love’s tapped arteries would look like a bloodshot eye over the city of Albuquerque. His blood bought us dinner. I dreamed he was my mother, and I nursed his arm. I wrote a poem about it, how I suckled his arm dry like a sore teat.

Jalina Mhyana, Dreaming in Night Vision: A Story in Vignettes
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