“Death and burial were a public spectacle. Shakespeare may have seen for himself the gravediggers at St Ann's, Soho, playing skittles with skulls and bones.”
Catharine Arnold“Death and burial were a public spectacle. Shakespeare may have seen for himself the gravediggers at St Ann's, Soho, playing skittles with skulls and bones.”
Catharine Arnold, Necropolis: London and Its Dead“Meanwhile, we have carved out a place for ourselves among the dead; the glittering pinnacles of commerce rise along the skyline, their foundations sunk in a charnel house; and the lost lie forgotten below us as, overhead, we persaude ourselves that we are immortal and carry on the business of life.”
Catharine Arnold, Necropolis: London and Its Dead“The Romans feared their dead. In fact, Roman funeral customs derived from a need to propitiate the sensibilities of the departed. The very word funus may be translated as dead body, funeral ceremony, or murder. There was a genuine concern that, if not treated appropriately, the spirits of the dead, or manes, would return to wreak revenge”
Catharine Arnold, Necropolis: London and Its Dead“The faithful clamoured to be buried alongside the martyrs, as close as possible to the venerable remains, a custom which, in anthropological terms, recalls Neolithic beliefs that certain human remains possessed supernatural properties. It was believed that canonized saints did not rot, like lesser mortals, but that their corpses were miraculously preserved and emanated an odour of sanctity, a sweet, floral smell, for years after death. In forensic terms, such preservation is likely to be a result of natural mummification in hot, dry conditions.”
Catharine Arnold, Necropolis: London and Its Dead