“During the next week, everyone noticed that my appetite had improved, even Toddy. “Are you done with your hunger strike?” he asked me curiously, one morning. “Toddy, eat your breakfast.” “But I thought that was what it was called. When people don’t eat.” “No, a hunger strike is for people in prison,” Kitsey said coolly. “Kitten,” said Mr. Barbour, in a warning tone. “Yes, but he ate three waffles yesterday,” said Toddy, looking eagerly between his uninterested parents in an attempt to engage them. “I only ate two waffles. And this morning he ate a bowl of cereal and six pieces of bacon, but you said five pieces of bacon was too much for me. Why can’t I have five pieces, too?”

“During the next week, everyone noticed that my appetite had improved, even Toddy. “Are you done with your hunger strike?” he asked me curiously, one morning. “Toddy, eat your breakfast.” “But I thought that was what it was called. When people don’t eat.” “No, a hunger strike is for people in prison,” Kitsey said coolly. “Kitten,” said Mr. Barbour, in a warning tone. “Yes, but he ate three waffles yesterday,” said Toddy, looking eagerly between his uninterested parents in an attempt to engage them. “I only ate two waffles. And this morning he ate a bowl of cereal and six pieces of bacon, but you said five pieces of bacon was too much for me. Why can’t I have five pieces, too?”

“Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist.”

“What do you think about America?""Everyone always smiles so big! Well—most people. Maybe not so much you. I think it looks stupid.”

“The ceilings had set off a ghostly echo, giving all that desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known.”

“All of a sudden, images from every crime movie I'd ever seen began to pop into my mind—the windowless room, the harsh lights and narrow hallways, images which did not seem so much theatrical or foreign as imbued with the indelible quality of memory, of experience lived.”

“But, if I dare say it, it wasn't until I had helped kill a man that I realized how elusive and complex an act a murder can actually be, and not necessarily attributable to one dramatic motive.”

“It was a clear, black morning, encrusted with stars.”

“Out on the lawn, Bunny had just knocked Henry's ball about seventy feet outside the court. There was a ragged burst of laughter; faint, but clear, it floated back across the evening air. That laughter haunts me still.”

“Though Julian could be marvelously kind in difficult circumstances of all sorts, I sometimes got the feeling that he was less pleased by kindness itself than by the elegance of the gesture.”

“But walking through it all was one thing; walking away, unfortunately, has proved to be quite another, and though once I thought I had left that ravine forever on an April afternoon long ago, now I am not so sure. Now the searchers have departed, and life has grown quiet around me, I have come to realize that while for years I might have imagined myself to be somewhere else, in reality I have been there all the time: up at the top by the muddy wheel-ruts in the new grass, where the sky is dark over the shivering apple blossoms and the first chill of the snow that will fall that night is already in the air.”

“I have only to glance over my shoulder for all those years to drop away and I see it behind me again, the ravine, rising all green and black through the saplings, a picture that will never leave me.”