“I dropped the candies into the children's bags, thinking: You small mortals don't realize the power of your stories.”

“I'm not going anywhere," she told me that night. But until we are old ladies--a cypress age, a Sawtooth age--I will continue to link arms with her, in public, in private, in a panic of love.”

“Even if she’d [Ossie] gotten away from him [her ghost fiancé] the prognostications were grim—alligators with unusual pigmentation can’t camouflage themselves in the dust-and-olive palette of the swamp. Their skin is spotlit for predators. That’s why you don’t see albino Seths [Ava’s pet name for alligators] in the wild. Once an alligator reaches a size of four feet its only real predator is man.”

“Mothers burning inside the risen suns of their children.”

“We've been working out of our tin can for half a decade. Nobody suggests moving into a brick-and-mortar office; nobody wants to peer through glass windows, in a building with a foundation, and admit that the insomnia emergency is now a permanent condition.”

“The body can be a marvel of resiliency, a cactus when it comes to sleep - capable of surviving on mere drops.”

“There is a loneliness that must be particular to monsters, I think, the feeling that each is the only child of a species. And now that loneliness was over.”

“I dropped the candies into the children's bags, thinking: You small mortals don't realize the power of your stories.”

“I look for my sister but it's hopeless. The goggles are all fogged up. Every fish burns lantern-bright, and I can't tell the living from the dead. It's all just blurry light, light smeared like some celestial fingerprint all over the rocks and the reef and the sunken garbage. Olivia could be everywhere.”

“There is a rustle of dead leaves. Dried sap, a branch crack, the whirring teeth of Mr. Omaru's saw. My father--my real father--is a limb that got axed off the family tree a long time ago now. My mother coughs and cleans phantom juices off her silver with a cloth doily. My sisters clench their knives.”