“On the doorstep Adele met Tony Limpsfield. She hurried him into her motor, and told the chauffeur not to drive on."News!" she said. "Lucia's going to have a lover.""No!" said Tony in the Riseholme manner"But I tell you she is. He's with her now.""They won't want me then," said Tony. "And yet she asked me to come at half-past five.""Nonsense, my dear. They will want you, both of them. . . . Oh Tony, don't you see? It's a stunt."Tony assumed the rapt expression of Luciaphils receiving intelligence."Tell me all about it," he said."I'm sure I'm right," said she. "Her poppet came in just now, and she held his hand as women do, and made him draw his chair up to her, and said he scolded her. I'm not sure that he knows yet. But I saw that he guessed something was up. I wonder if he's clever enough to do it properly. . . . I wish she had chosen you, Tony, you'd have done it perfectly. They have got--don't you understand?--to have the appearance of being lovers, everyone must think they are lovers, while all the time there's nothing at all of any sort in it. It's a stunt: it's a play: it's a glory.""But perhaps there is something in it," said Tony. "I really think I had better not go in.""Tony, trust me. Lucia has no more idea of keeping a real lover than of keeping a chimpanzee. She's as chaste as snow, a kiss would scorch her. Besides, she hasn't time. She asked Stephen there in order to show him to me, and to show him to you. It's the most wonderful plan; and it's wonderful of me to have understood it so quickly. You must go in: there's nothing private of any kind: indeed, she thirsts for publicity."Her confidence inspired confidence, and Tony was naturally consumed with curiosity. He got out, told Adele's chauffeur to drive on, and went upstairs. Stephen was no longer sitting in the chair next to Lucia, but on the sofa at the other side of the tea-table. This rather looked as if Adele was right: it was consistent anyhow with their being lovers in public, but certainly not lovers in private."Dear Lord Tony," said Lucia--this appellation was a halfway house between Lord Limpsfield and Tony, and she left out the "Lord" except to him--"how nice of you to drop in. You have just missed Adele. Stephen, you know Lord Limpsfield?"Lucia gave him his tea, and presently getting up, reseated herself negligently on the sofa beside Stephen. She was a shade too close at first, and edged slightly away."Wonderful play of Tchekov's the other day," she said. "Such a strange, unhappy atmosphere. We came out, didn't we, Stephen, feeling as if we had been in some remote dream. I saw you there, Lord Tony, with Adele who had been lunching with me."Tony knew that: was not that the birthday of the Luciaphils?”

“On the doorstep Adele met Tony Limpsfield. She hurried him into her motor, and told the chauffeur not to drive on."News!" she said. "Lucia's going to have a lover.""No!" said Tony in the Riseholme manner"But I tell you she is. He's with her now.""They won't want me then," said Tony. "And yet she asked me to come at half-past five.""Nonsense, my dear. They will want you, both of them. . . . Oh Tony, don't you see? It's a stunt."Tony assumed the rapt expression of Luciaphils receiving intelligence."Tell me all about it," he said."I'm sure I'm right," said she. "Her poppet came in just now, and she held his hand as women do, and made him draw his chair up to her, and said he scolded her. I'm not sure that he knows yet. But I saw that he guessed something was up. I wonder if he's clever enough to do it properly. . . . I wish she had chosen you, Tony, you'd have done it perfectly. They have got--don't you understand?--to have the appearance of being lovers, everyone must think they are lovers, while all the time there's nothing at all of any sort in it. It's a stunt: it's a play: it's a glory.""But perhaps there is something in it," said Tony. "I really think I had better not go in.""Tony, trust me. Lucia has no more idea of keeping a real lover than of keeping a chimpanzee. She's as chaste as snow, a kiss would scorch her. Besides, she hasn't time. She asked Stephen there in order to show him to me, and to show him to you. It's the most wonderful plan; and it's wonderful of me to have understood it so quickly. You must go in: there's nothing private of any kind: indeed, she thirsts for publicity."Her confidence inspired confidence, and Tony was naturally consumed with curiosity. He got out, told Adele's chauffeur to drive on, and went upstairs. Stephen was no longer sitting in the chair next to Lucia, but on the sofa at the other side of the tea-table. This rather looked as if Adele was right: it was consistent anyhow with their being lovers in public, but certainly not lovers in private."Dear Lord Tony," said Lucia--this appellation was a halfway house between Lord Limpsfield and Tony, and she left out the "Lord" except to him--"how nice of you to drop in. You have just missed Adele. Stephen, you know Lord Limpsfield?"Lucia gave him his tea, and presently getting up, reseated herself negligently on the sofa beside Stephen. She was a shade too close at first, and edged slightly away."Wonderful play of Tchekov's the other day," she said. "Such a strange, unhappy atmosphere. We came out, didn't we, Stephen, feeling as if we had been in some remote dream. I saw you there, Lord Tony, with Adele who had been lunching with me."Tony knew that: was not that the birthday of the Luciaphils?”

“...vicinity to the sea is desirable, because it is easier to do nothing by the sea than anywhere else, and because bathing and basking on the shore cannot be considered an employment but only an apotheosis of loafing. ("Expiation")”

“I wonder why he hastened to tell us that George Hearne was buried in the churchyard, and then added that naturally he was!''It's the natural place to be buried in,' said I.'Quite. That's just why it was hardly worth mentioning.'I felt then, just momentarily, just vaguely, as if my mind was regarding stray pieces of a jig-saw puzzle. The fancied ringing of the telephone bell last night was one of them, this burial of George Hearne in the churchyard was another, and, even more inexplicably, the ladder I had seen under the trees was a third. Consciously I made nothing whatever out of them, and did not feel the least inclination to devote any ingenuity to so fortuitous a collection of pieces. Why shouldn't I add, for that matter, our morning's bathe, or the gorse on the hillside? But I had the sensation that, though my conscious brain was presently occupied with piquet, and was rapidly growing sleepy with the day of sun and sea, some sort of mole inside it was digging passages and connecting corridors below the soil. ("Expiation")”

“The subject dropped, and we sat on in the dusk that was rapidly deepening into night. The door into the hall was open at our backs, and a panel of light from the lamps within was cast out to the terrace. Wandering moths, invisible in the darkness, suddenly became manifest as they fluttered into this illumination, and vanished again as they passed out of it. One moment they were there, living things with life and motion of their own, the next they quite disappeared. How inexplicable that would be, I thought, if one did not know from long familiarity, that light of the appropriate sort and strength is needed to make material objects visible.Philip must have been following precisely the same train of thought, for his voice broke in, carrying it a little further.'Look at that moth,' he said, 'and even while you look it has gone like a ghost, even as like a ghost it appeared. Light made it visible. And there are other sorts of light, interior psychical light which similarly makes visible the beings which people the darkness of our blindness.' ("Expiation")”

“Philosophers have argued about the strongest emotion known to man. Some say ‘love’, others ‘hate’, others ‘fear’. I am disposed to put ‘curiosity’ on a level, at least, with these august sensations, just mere simple inquisitiveness.”

“The narrator, I think, must succeed in frightening himself before he can think of frightening his reader…”

“Or do you like being frightened?”Hugh, though generally intelligent, is dense in certain ways; this is one of them.“Why, of course, I like being frightened,” I said. “I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid.”

“Georgie, I've got it," she said. "I've guessed what it means."Now though Georgie was devoted to his Lucia, he was just as devoted to inductive reasoning, and Daisy Quantock was, with the exception of himself, far the most powerful logician in the place."What is it, then?" he asked."Stupid of me not to have thought of it at once," said Daisy. "Why, don't you see? Pepino is Auntie's heir, for she was unmarried, and he's the only nephew, and probably he has been left piles and piles. So naturally they say it's a terrible blow. Wouldn't do to be exultant. They must say it's a terrible blow, to show they don't care about the money. The more they're left, the sadder it is. So natural. I blame myself for not having thought of it at once...”

“Miss Mackintosh waved her arms wildly."Oh, please stop, and let me guess," she cried. "I shall go crazy with joy if I'm right. It was an old Peerage, and so she found that Lady Deal was Helena Herman--""Whom she had seen ten years ago at a music hall as a male impersonator," cried Diva."And didn't want to know her," interrupted Miss Mackintosh."Yes, that's it, but that is not all. I hope you won't mind, but it's too rich. She saw you this morning coming out of your house in your bath-chair, and was quite sure that you were that Lady Deal."The three ladies rocked with laughter. Sometimes one recovered, and sometimes two, but they were re-infected by the third, and so they went on, solo and chorus, and duet and chorus, till exhaustion set in."But there's still a mystery," said Diva at length, wiping her eyes. "Why did the Peerage say that Lady Deal was Helena Herman?""Oh, that's the last Lady Deal," said Miss Mackintosh. "Helena Herman's Lord Deal died without children and Florence's Lord Deal, my Lady Deal, succeeded. Cousins.""If that isn't a lesson for Elizabeth Mapp," said Diva. "Better go to the expense of a new Peerage than make such a muddle. But what a long call we've made. We must go.""Florence shall hear every word of it to-morrow night," said Miss Mackintosh. "I promise not to tell her till then. We'll all tell her.""Oh, that is kind of you," said Diva."It's only fair. And what about Miss Mapp being told?""She'll find it out by degrees," said the ruthless Diva. "It will hurt more in bits.""Oh, but she mustn't be hurt," said Miss Mackintosh. "She's too precious, I adore her.""So do we," said Diva. "But we like her to be found out occasionally. You will, too, when you know her.”

“This was all splendid stuff for Luciaphils; it was amazing how at a first glance she recognised everybody. The gallery, too, was full of dears and darlings of a few weeks' standing, and she completed a little dinner-party for next Tuesday long before she had made the circuit. All the time she kept Stephen by her side, looked over his catalogue, put a hand on his arm to direct his attention to some picture, took a speck of alien material off his sleeve, and all the time the entranced Adele felt increasingly certain that she had plumbed the depth of the adorable situation. Her sole anxiety was as to whether Stephen would plumb it too. He might--though he didn't look like it--welcome these little tokens of intimacy as indicating something more, and when they were alone attempt to kiss her, and that would ruin the whole exquisite design. Luckily his demeanour was not that of a favoured swain; it was, on the other hand, more the demeanour of a swain who feared to be favoured, and if that shy thing took fright, the situation would be equally ruined. . . . To think that the most perfect piece of Luciaphilism was dependent on the just perceptions of Stephen! As the three made their slow progress, listening to Lucia's brilliant identifications, Adele willed Stephen to understand; she projected a perfect torrent of suggestion towards his mind. He must, he should understand. . . .Fervent desire, so every psychist affirms, is never barren. It conveys something of its yearning to the consciousness to which it is directed, and there began to break on the dull male mind what had been so obvious to the finer feminine sense of Adele. Once again, and in the blaze of publicity, Lucia was full of touches and tweaks, and the significance of them dawned, like some pale, austere sunrise, on his darkened senses. The situation was revealed, and he saw it was one with which he could easily deal. His gloomy apprehensions brightened, and he perceived that there would be no need, when he went to stay at Riseholme next, to lock his bedroom-door, a practice which was abhorrent to him, for fear of fire suddenly breaking out in the house. Last night he had had a miserable dream about what had happened when he failed to lock his door at The Hurst, but now he dismissed its haunting. These little intimacies of Lucia's were purely a public performance."Lucia, we must be off," he said loudly and confidently. "Pepino will wonder where we are.”

“Marcia was silent a moment. Then a sort of softer gleam came into her angry eye."Tell me some more about her," she said.Adele clapped her hands."Ah, that's splendid," she said. "You're beginning to feel kinder. What we would do without our Lucia I can't imagine. I don't know what there would be to talk about.""She's ridiculous!" said Marcia relapsing a little."No, you mustn't feel that," said Adele. "You mustn't laugh at her ever. You must just richly enjoy her.""She's a snob!" said Marcia, as if this was a tremendous discovery."So am I: so are you: so are we all," said Adele. "We all run after distinguished people like--like Alf and Marcelle. The difference between you and Lucia is entirely in her favour, for you pretend you're not a snob, and she is perfectly frank and open about it. Besides, what is a duchess like you for except to give pleasure to snobs? That's your work in the world, darling; that's why you were sent here. Don't shirk it, or when you're old you will suffer agonies of remorse. And you're a snob too. You liked having seven--or was it seventy?--Royals at your dance.""Well, tell me some more about Lucia," said Marcia, rather struck by this ingenious presentation of the case."Indeed I will: I long for your conversion to Luciaphilism. Now to-day there are going to be marvellous happenings...”