“The child's world is alert and alive, governed by rules of response and command, not by physical laws: a portentous continuum of consciousness, endowed with purpose and intent, either resistant or responsive to the child itself. This infantile notion of a world governed by moral rather than physical laws, kept under control by a superordinated parental personality instead of impersonal physical forces, and oriented to the weal and woe of man, is an illusion that dominates men's thoughts all over the world.The sense then, of this world as an undifferentiated continuum of simultaneously subjective and objective experience (Participation), which is all alive (Animism), and which was created by a superior being (Artificialism), may be said to constitute the frame of reference of all childhood experience no matter where in the world. No small wonder then, that the above Three Principles are precisely those most represented in the mythologies and religious systems of the whole world.”

“To call up modern versions of the old stories, one has to go forth and live life. As a result then, one will have the challenge of not only living the story, taking it all in, but also interpreting it in whatever ways are useful. So too, one will reap the reward of telling all about it afterward. One's interest in the world, and in having experiences, is really an interest in hearing, having, living one more story, and then one more, then one more story, till one cannot live them out loud any longer. Perhaps it should be said that the drive to live out stories is as deep in the psyche, when awakened, as it is compelling to the psyche to listen to stories and learn from them. Clarissa Pinkola Estes, Ph.D. in Introduction to the 2004 edition of The hero with a thousand faces (J.Campbell)”

“Stories are masks of God.That's a story, too, of course. I made it up, in collaborations with Joseph Campbell and Scheherazade, Jesus and the Buddha and the Brother's Grimm.Stories show us how to bear the unbearable, approach the unapproachable, conceive the inconceiveable. Stories provide meaning, texture, layers and layers of truth.Stories can also trivialize. Offered indelicately, taken too literally, stories become reductionist tools, rendering things neat and therefore false. Even as we must revere and cherish the masks we variously create, Campbell reminds us, we must not mistake the masks of God for God.So it seemes to me that one of the most vital things we can teach our children is how to be storytellers. How to tell stories that are rigorously, insistently, beautifully true. And how to believe them.”

“A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life. I think ritual is terribly important.”

“Mythology is composed by poets out of their insights and realizations. Mythologies are not invented they are found. You can no more tell us what your dream is going to be tonight than we can invent a myth. Myths come from the mystical region of essential experience. ”

“I would say that all our sciences are the material that has to be mythologized. A mythology gives spiritual import - what one might call rather the psychological, inward import, of the world of nature round about us, as understood today. There's no real conflict between science and religion ... What is in conflict is the science of 2000 BC ... and the science of the 20th century AD.”

“I remember sitting in this cabin in Alaska one evening reading over the notes of all these encounters, and recalling Joseph Campbell, who wrote in the conclusion to 'Primitive Mythology' that men do not discover their gods, they create them. So do they also, I thought, looking at the notes before me, create their animals.”

“Wherever the poetry of myth is interpreted as biography, history or science, it is killed.”

“Humor is the touchstone of the truly mythological as distinct from the more literal-minded and sentimental theological mood.”

“But if we are to grasp the full value of the materials, we must note that myths are not exactly comparable to dream. Their figures originate from the same sources -- the unconscious wells of fantasy-- and their grammar is the same, but they are not the spontaneous products of sleep. On the contrary their patterns are consciously controlled. And their understood function is to serve as powerful picture language for the communication of traditional wisdom.”

“The hero, the waker of his own soul, is himself but the convenient means of his own dissolution.”