“Traumas produce their disintegrating effects in proportion to their intensity, duration and repetition. (1909)”

“Traumas produce their disintegrating effects in proportion to their intensity, duration and repetition. (1909)”

“Pierre Janet, a French professor of psychology who became prominent in the early twentieth century, attempted to fully chronicle late- Victorian hysteria in his landmark work The Major Symptoms of Hysteria. His catalogue of symptoms was staggering, and included somnambulism (not sleepwalking as we think of it today, but a sort of amnesiac condition in which the patient functioned in a trance state, or "second state," and later remembered nothing); trances or fits of sleep that could last for days, and in which the patient sometimes appeared to be dead; contractures or other disturbances in the motor functions of the limbs; paralysis of various parts of the body; unexplained loss of the use of a sense such as sight or hearing; loss of speech; and disruptions in eating that could entail eventual refusal of food altogether. Janet's profile was sufficiently descriptive of Mollie Fancher that he mentioned her by name as someone who "seems to have had all possible hysterical accidents and attacks." In the face of such strange and often intractable "attacks," many doctors who treated cases of hysteria in the 1800s developed an ill-concealed exasperation.”

“Traumas produce their disintegrating effects in proportion to their intensity, duration and repetition. (1909)”

“Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves ideas from an extrahuman world.”