“Looking at Loh’s photographs, it is obvious that there is nothing simpler and richer than a face when stripped of all effects and affects, poses and postures, stances and pretences. The Singaporeans featured here are almostexpressionless, as if the photographer wanted to leave us clueless about them. What do their faces tell us? Why are they so familiar? Why do we feel we know this auntie that we don’t know? And this guy with the nondescript look? And this girl with no distinguishing mark? Have we met before?”

“Looking at Loh’s photographs, it is obvious that there is nothing simpler and richer than a face when stripped of all effects and affects, poses and postures, stances and pretences. The Singaporeans featured here are almostexpressionless, as if the photographer wanted to leave us clueless about them. What do their faces tell us? Why are they so familiar? Why do we feel we know this auntie that we don’t know? And this guy with the nondescript look? And this girl with no distinguishing mark? Have we met before?”

“Looking at Loh’s photographs, it is obvious that there is nothing simpler and richer than a face when stripped of all effects and affects, poses and postures, stances and pretences. The Singaporeans featured here are almostexpressionless, as if the photographer wanted to leave us clueless about them. What do their faces tell us? Why are they so familiar? Why do we feel we know this auntie that we don’t know? And this guy with the nondescript look? And this girl with no distinguishing mark? Have we met before?”

“In a few years, it is very likely that this series will be considered a milestone in the history of Singapore photography.”